Best-known for playing Drusilla in “Buffy the Vampire Slayer,” Juliet Landau has gotten behind the camera to direct a two-part vampire documentary. She discusses the films in this exclusive interview with Erin Chapman.
Ten years ago today, Stephenie Meyer’s “Twilight,” set in Forks, Washington, was unleashed on the world and became a pop culture phenomenon. Erin Chapman took a trip to Forks to unravel the saga’s affect on the town.
Heard about the upcoming Halloween “Blood Rave” in Amsterdam? How about the Oct. 9 “Blade Rave” in Manhattan? Ravers will be showered with “blood” in both events. But who came up with it first? Erin Chapman investigates.
Ex-raver Erin Chapman digs into the upcoming “Blood Rave” which will be held somewhere in Amsterdam on Halloween. But this is no ordinary event: apparently, attendees will be sprayed with actual blood from the ceiling.
Terence Fisher’s “Horror of Dracula” (1958) is meant to be one of the best vampire movies ever made. But what’s it like to someone who barely knows anything about the film? Erin Chapman views it through “virgin eyes.”
Erin Chapman interviews Trystan Swale, a folklorist who writes a blog about the Highgate Vampire—but who hasn’t picked sides in the Sean Manchester/David Farrant feud which often taints discussions about the case.
On June 2, 2015, I was scouring the web for something interesting to share on our Facebook page, Vampire Studies, when I came across an article about “what may be the world’s first master’s degree in Vampire Studies.”
In this long-awaited sequel to “Cemetery Logistics: How I Tracked The Highgate Vampire” (April 4, 2015), Erin Chapman reveals how she uncovered holes in Sean Manchester’s claim to hunting a vampire at Highgate Cemetery.
In this long-awaited sequel to “5 Reasons Why a Wampyr Didn’t Walk in Highgate” (Feb. 27, 2015), Erin Chapman casts another critical eye over Sean Manchester’s claim that a vampire stalked Highgate Cemetery in 1970.
Tod Browning’s “Dracula” (1931) is widely regarded as one of the best vampire movies ever made. But what’s it like to someone who barely knows anything about the film? Erin Chapman takes a look through “virgin eyes.”